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>mmib Lo`e^oa molÛq^_ib) cb^qeboba cofbkap tbob
^it^vp qebob) l bofkd plkd lc `ebbo+ Pl tebk Ol_fk
ab`faba ql ^_^kalk qeb corfq _rpfkbpp) fq t^p lkiv
Ûqqfkd qe^q qeb _foap tlria _bkbÛq+
Ebo do^ka mi^k pq^oqba _v `lksboqfkd qeb kloqebok
Sbojlkq lo`e^oa colj molar`qflk oltp ql ollpqfkd
Ûbiap tebob Üv_vp `lria cb^qebo qebfo kbpqp fk qeb
corfq qobbp+ >ka ^q qeb sbov eb^oq lc qeb . 5 ^`obp tlria
_b d^oabkÎ_rq klq grpq ^kv d^oabk+ Mriifkd colj
ebo ^oqfpq _^`hdolrka) Ol_fk p^t mi^`b _ropqfkd fk
m^fkqboÒp m^ibqqb lc `lilo+ Pl peb o^jmba rm ebo _foa*
elpqfkd q^`qf`p) `lrmiba qebj tfqe `lilo) ^ka _bd^k
mirddfkd ^t^v+ Vlr `lria p^v qe^q ebo fab^p qllh tfkd+
Fq _bd^k fk .66/ pfjmiv _v bum^kafkd qeb mi^kqfkdp
fjjbaf^qbiv ^olrka qeb elrpb) rpfkd qfjb cobba rm
tebk qeb lo`e^oa t^p ^iiltba ql obqrok ql tfia+ Qebk
Ol_fk i^vboba fk `lkfcbop) ol`h d^oabk) ^ka ifdeq*
Ûiiba m^fkqfkd pqrafl proolrkaba _v qeb _ofdeq Ültbop
qe^q pbosb ^p ebo jrpbp+ Qeb `lkfcbop tloh ifhb
t^iim^mbo) abÛkfkd b^`e ollj ^ka ibkafkd qeb d^oabk
pqor`qrob ^p tbii ^p pebiqbo colj qeb tfkap qe^q _fiilt
l I^hb @e^jmi^fk+
FqÒp abifdeq clo qeb qobb pt^iiltp) elrpb tobkp)
_irb_foap) j^oqfkp) Üv`^q`ebop) ^ka ^k ^oo^v lc lqebo
cb^qeboba _b^rqfbpÎ^ka bsbk jlob lc tlkabo clo
Ol_fk) prmobjbiv e^mmv tfqe ebo ab`fpflk ql lsbopbb
^k lo`e^oa `^qbofkd bu`irpfsbiv ql tfkdba `ifbkqbib+
When she stopped counting, Robin had
50 birdhouses (left) on the premises;
several are designed by her husband,
Robert. Feverfew (below) adds a splash
of white to the garden. The studio sits
off to the left of Robin’s house among
the manicured conifers and shrubs that
define the gardens (right).
